Mira Schendel - Sem título (Objeto Gráfico) - 1972
León Ferrari - Planet - 1979
O texto, abaixo, e as fotos, acima, estão na página do MOMA de NY, onde acontece uma exposição de Mira Schendel e León Ferrari desde o dia 5 de abril.
E monotipias de Mira Schendel estão (ou estavam?) em exposição na Galeria Milan de São Paulo.
(In)vejo o trabalho destes artistas! Grandes!
Lalau Mayrink
Tangled Alphabets: León Ferrari and Mira Schendel
April 5, 2009–June 15, 2009
The International Council of The Museum of Modern Art Exhibition Gallery, sixth floor
León Ferrari (Argentine, b. 1920) and Mira Schendel (Brazilian, b. Switzerland, 1919–1988) are considered among the most significant artists working in Latin America during the second half of the twentieth century. Their works address language as a major visual subject matter: the visual body of language, the embodiment of voices as words and gestures, and language as a metaphor of the worldly aspect of human existence through the eloquence of naming and writing. They produced their works in the neighboring countries of Argentina and Brazil throughout the 1960s and 1980s, when the question of language was particularly central to Western culture due to the central role taken by post-structuralism, semiotics, and the philosophy of language. Although their drawings, sculptures, and paintings are contemporary with the birth of Conceptualism, they are distinctively different, and have not yet been exhibited in their entirety in the United States.
April 5, 2009–June 15, 2009
The International Council of The Museum of Modern Art Exhibition Gallery, sixth floor
León Ferrari (Argentine, b. 1920) and Mira Schendel (Brazilian, b. Switzerland, 1919–1988) are considered among the most significant artists working in Latin America during the second half of the twentieth century. Their works address language as a major visual subject matter: the visual body of language, the embodiment of voices as words and gestures, and language as a metaphor of the worldly aspect of human existence through the eloquence of naming and writing. They produced their works in the neighboring countries of Argentina and Brazil throughout the 1960s and 1980s, when the question of language was particularly central to Western culture due to the central role taken by post-structuralism, semiotics, and the philosophy of language. Although their drawings, sculptures, and paintings are contemporary with the birth of Conceptualism, they are distinctively different, and have not yet been exhibited in their entirety in the United States.
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